A paper on the myth of the “wild man” or “savage” in anthropology, with special reference to the work of Roger Bartra.THE WODEWOSE:
NOTES ON ROGER BARTRA’S WILD MEN
E. N. Anderson
Dept. of Anthropology
Univ. of California, Riverside, CA 92521
Sylvester Woodhouse
San Onofre, CA
SUMMARY Roger Bartra, in his recent books Wild Men in the Looking Glass (1994) and The Artificial Savage (1997), has brilliantly chronicled the Wild Man, or Wodewose, in European myth and art. He has connected the stereotypic Wild Man with the image of the savage, or natural man, found in writings of Thomas Hobbes, John Locke, and the early political economists. It is reasonably clear that this image, in turn, influenced early ethnology. Adam Kuper, in “The Invention of Primitive Society,” wonders where the early anthropologists found their conception of savage life. With Bartra’s help, we can now locate the origin of the concept in hallowed European tradition. This tradition constructed a mythic savage who was, as Bartra shows, the opposite (often the ironic opposite) of the properly civilized person. Ethnologists, perforce, made do with this paradigm until extensive field work revealed other, and hopefully more accurate, images.